Anchorhead
and After
The Lost Scenes
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© Lucasfilms
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DATELINE:
Tunisia, April 16, 2002 |
They
say "Don't look back", but when the chance came to re-visit the
Star Wars Tunisian shooting sites with Gary Kurtz, the co-producer of Episode
IV, I couldn't refuse. Gary is directing a documentary on the making of
the film, produced by Jason Joiner, and it promises a lot of exciting material,
interviews with many of those who helped create the film and a panorama
of the old shooting sites.
When we landed
the sun was setting in a fiery ball over Djerba airport. A flurry of fine
sand swept over the tarmac. Djerba, the island to the east of Tunisia,
where the film unit was based back in April 1975 looks much the same,
a huge complex of tourist hotels spread along the Mediterranean coast,
sand and scrub, horses, goats and camels wandering untethered in fields,
half-built houses and crumbling shanties mix with luxurious villas along
the roads.
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Next morning
we drove to the Anchorhead location at Ajim, where the original Toshi
Station scene was shot, the famous "Lost Scene", which begins
with a scene inside the station with Deak, Fixer, Camie and Windy and
Biggs and ends with Biggs saying 'so long' to Luke.
It was now
26 years later and the dawn felt the same, the road as bumpy, our car
kicking up the same dust, the sun as hot on the side of the car as we
headed along the coast road. But somehow the journey seemed less long.
Maybe because I had no tension in the pit of the stomach, it was not the
first day on a major film, there was no huge film crew to meet, no pages
of dialogue to get through, no new director to discover.
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Jason and Gary
(click
for larger image) |
Then, there
it was, at the bottom of a dirt track, the old white mosque perched on
the coast outlined against the blue sky, a fisherman on the coast below
preparing his nets, a local Tunisian in his dark robes parking his old
bike and resting for a moment on the promontory staring across the water.
It was silent, just the sound of a cool breeze over the lapping sea, and
somewhere in our minds a distant echo of old memories of a bustling film
crew preparing to shoot another scene in the saga.
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Gary
and I did our documentary interview on the ledge outside the mosque where
I had walked with Luke trying to persuade him to leave Uncle Owen's farm
and join the Rebel Alliance. Some of the old dialogue of that scene was
stilled wedged in my mind, and Mark Hamill's comments as we filmed through
the morning and afternoon, his terrific energy and support, and at one point
his whispering "I don't think we've ever shot so many takes."
The endless refills of the 'malt' drink we were sipping as we left the station.
My black berber cape (the inspiration of the costume department) blowing
in the wind and knocking the microphone fixed somewhere under my blue shirt.
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(click
for larger image) |
Apart from
the graffiti on the mosque walls and the difference in the size of the
film crew shooting from the beach the feeling was the same. This time
round we had only a cameraman, Dylan, and a soundman, Johnny. When we
finished the documentary interview, I had a feeling of expiation. Gary
even explained, with structural analysis, why the Anchorhead scene had
been cut. (Performances were not in question!) Only time will tell whether
the scene will be resurrected in some future edition. As it was, there,
on the headland at Ajim, almost 26 years to the day after the 'missing
scene' was filmed, its ghost had been laid.
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The
rest of the trip was new territory for me: first to one of the Uncle Owen
homestead sites, then by ferry to the mainland and a long dusty exhilarating
ride south across the salt flats to Touzeur where we took expeditions
out to the stunning canyon at Sidi Bouhlel then by camel to the dunes
further south and finally we filmed a glorious sunset over the endless
flat horizon by the site of the set for Uncle Owen's house, re-constructed
for Episode 2 . It was magic.
While
we were there a Land Cruiser full of fans, or maybe just tourists, arrived
to take pictures of the site. Pilgrims all, travelling a well-worn path.
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(click
for larger image)
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The
Anchorhead scenes as the world knows are featured on the Lucasfilm CD-Rom
"Behind the Magic" and are worth a look. One reviewer wrote:
"As
the scenes unfolded before my eyes for the first time I was spellbound
at the richness-so much shading, so many dimensions of character in
the brief exchanges of dialogue."*
(Hey,
the gang up at Anchorhead would like that!)
*
From "Anchorhead - The Lost Scenes"
by David West Reynolds
Star Wars Insider No. 35
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